Shift: Perspective Correction

With up to ±12mm of shift, you can keep the camera level and move the lens to frame tall subjects.

Converging vertical lines become parallel, so buildings stand upright without any digital correction.

Shift: Stitching and Panoramas

Shifting across frames lets you stitch an image wider than the sensor in a single pass. You get an ultra-wide, high-resolution result without changing lenses or position, and with no rotation parallax between frames. It suits facades, interiors and wide landscapes.

Zero-D: Straight Lines to the Edge

Zero-D optics address warping at the source. Door frames stay square, horizons stay flat, and vertical and horizontal lines stay straight to the edge of the frame, so there’s less correction to do in post.

Tilt: Focus Plane Control

±10° of tilt lets you reposition the focus plane. Use it for front-to-back sharpness in landscapes and product work without stopping down, or tilt the other way for selective focus and a miniature effect. At f/2, the miniature look works at night too.

Tiny Worlds, By Design

Tilt the focus plane and a real scene starts to look like a hand-built model. With the wide 24mm view and f/2 aperture, the miniature effect works from daylight into the night, all in camera.

f/2: Tilt-Shift Beyond Daylight

At f/2, this lens is the fastest tilt-shift lens ever made for any format. That extra light turns tilt-shift from a daylight-only tool into one that works in dim interiors, at blue hour, and under the night sky.

Medium Format Ready

The 24mm f/2 Zero-D Tilt-Shift is available in native Fujifilm GFX and Hasselblad XCD mounts, so photographers working with larger sensors get the same perspective control as full-frame users. Shift moves the lens and not the image, so the full sensor stays in use.

Compact Size

At Ø93mm × 119mm (Ø3.66″ × 4.69″) and 860g (1.90 lb), the 24mm f/2 is comparable in size to other 24mm tilt-shift lenses. Those typically stop at f/3.5, while the 24mm f/2 opens about 1.6 stops wider and offers ±10° of tilt against others at ±8.5°. You get a much faster aperture and more tilt in a lens of similar size.

Close Focusing Distance

Focus as close as 25cm and fill the frame with architectural details, textures and small subjects, all with the wide 24mm perspective.

Tilt and Shift Limits

The 24mm f/2 balances tilt and shift while staying compact. The more tilt you apply, the less shift is available, and the reverse. Limits vary slightly by mount, particularly at infinity. Maximum tilt of ±10° and shift of ±12mm are both reached at close focusing distances (0.4m–0.25m). Click here for Full Limitations Table.

SAMPLE PHOTOS