Laowa Ranger S35 Compact Cine Zoom Series

Laowa Nanomorph 1.5X LF Anamorphic Series (32mm, 42mm, 55mm, 85mm)

The Nanomorph LF 1.5X Anamorphic set is a professional-grade series of lenses designed to cover Large Format and Full Frame sensors, delivering a consistent 1.5x squeeze ratio. These lenses provide exceptional image quality, ideal for theatrical productions and high-end films. It targets delivering exceptional image quality for theatrical and high-end film projects. This series redefines anamorphic capabilities with ease of access for a broad scope of filmmakers.

PL mount in default, an interchangeable EF bayonet is included in the package.

*Nanomorph is only built to order. The standard leadtime is 6-8 weeks. All orders are final sale, non-returnable and non-refundable.

Lens / Set:

SKU: LA707380 | LA707397 | LA707403 | LA707410 | LA708639 | LA708646 | LA708653 | LA708660-1-1 Category: Anamorphic

Description

Have Pro Anamorphic Your Way

“This set of anamorphic lenses delivers cinematic-level image quality and offers the flexibility, compactness, and versatility needed for various creative expressions. It provides freedom for composition, low focus breathing, and high enough quality to integrate your accessories and enhance post-production.”

Beyond Full Frame Coverage

The large image circle (Ø44.71mm) reduces vignetting and ensures optimal coverage for the ARRI Alexa LF 4.5K Open Gate (⌀44.71mm), maximizing resolution without cropping. It supports full-frame sensors and multiple aspect ratios (16:9, 3:2, 4:3), allowing seamless output to 2:1, 2.25:1, 2.66:1, and 2.4:1 while preserving image quality.

© Nonny Abhisit

Constant 1.5x Squeeze Ratio

© Kiva © Alexandru Don © Victor Laforteza © Patrick Tommaso

With a 1.5x squeeze ratio, you will achieve a 2.66:1 aspect ratio on a 16:9 sensor after de-squeezing. Compared to a 1.33x anamorphic lens, the Laowa Nanomorph 1.5x Series delivers a much more pronounced anamorphic and cinematic look. With a 1.8x or 2x squeeze ratio, the size of the lens would also significantly larger, and much of the image is wasted when paired with a 16:9 sensor.

Consistent Oval Bokeh From Centre to Edge

© Kiva © Dins Film © Alexandru Don © Corey Hour © Stephen Ford

The 1.5x squeeze ratio delivers signature anamorphic characteristics, creating a smooth, organic waterfall focus roll-off in the background—one of the most sought-after traits in the film industry. “Moon-shaped” bokeh isn’t for everyone. The Nanomorph LF offers a more consistent bokeh across the frame.

Outstanding Image Quality

© Victor Laforteza

If you have a variety of storytelling styles, this lens is perfect for you. It delivers impressive image quality for both theatrical and cinematic use, offering versatility for different productions while matching modern sensors. It gives filmmakers ample room for creative post-production work, giving extra flexbility in creativity.

Great Flexibility in Composition

© Alexandru Don © Dins Film © Gary Scaife © Shikijo ©Partrick Tomasso

Some anamorphic lenses in the market create a “swimming effect” near the edges, overcompressing objects and limiting creative freedom. The Nanomorph LF offers excellent edge distortion control, allowing for more flexibility in composition.

© The Film Guy

Three Flare Options

© Corey Hour © Kristoffer Davidsson © Alexandru Don

The Nanomorph LF series offers a variety of flare coatings—amber, blue, and silver—allowing filmmakers to adapt the lens to their creative vision. Whether seeking a classic blue flare or a more neutral look, the Nanomorph LF series delivers versatile options for every project.

Low Focus Breathing

© Stephen Ford

Low focus breathing ensures stable framing and smooth transitions, making it perfect for seamless focus pulls.

Compact Prestigious Lens

Nanomorph LF set strikes the sweet spot between compact size, weight, optical quality, and professional usability, making these
lenses ideal for a wide range of productions.

Precision with Extended Focus Throw

The long focus throw (270°) allows for precise adjustments when focusing, which enhances control over depth of field and focus effects.

Easy Back Focus Calibration

This mechanism always allows calibrate the back focus on site easily and quickly.

Interchangeable Mount

The interchangeable mount system lets you swap mounts to match different cameras. The Nanomorph LF comes with an Arri PL mount with a Canon EF bayonet by default, with additional bayonets available for purchase.

Click to Watch Mount Conversion Tutorial